Read, Believe, Write!

Beth Fowler headshot

“Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness that most frightens us. We ask ourselves, Who am I to be brilliant, gorgeous, talented, fabulous? Actually, who are you not to be? You are a child of God. Your playing small does not serve the world. There is nothing enlightened about shrinking so that other people won’t feel insecure around you. We are all meant to shine, as children do. We were born to make manifest the glory of God that is within us. It is not just in some of us; it is in everyone. And as we let our own light shine, we unconsciously give other people permission to do the same. As we are liberated from our own fear, our presence automatically liberates others.”  Marianne Williamson

Believe it!

Live it!

Beth Fowler, author of the beloved, fast-paced coming-of-age novel “Ken’s War.”

Visit https://www.facebook.com/kenswar.

https://www.youtube.com/watch?v=SQjZBjqFNzs&feature=youtu.be

 ken's war coverWhen teen rebellion & culture shock collide. Shop here: Ken’s War

Ken’s War is vibrant with authority … Fowler’s elegantly written novel risks exploring the full range of teenage behavior and emotion.” Nancy Springer, award- winning author of YA books.

 

 

 

Advice Writers Can Bank On

Beth Fowler headshot Beginning writers know that they’ll get bylines without bucks from time to time, free copies of magazines in which their works appear, and a few dollars here and there. No pay and low pay are typical during the apprenticeship phase of writing.

Following the advice of paid writers representing nearly 200 years’ experience can advance your career and compensation to the next phase.

Q: What separates paid, published writers from wanna-bes?

A: Discipline, persistence, hard work and the ability to “get back up on the horse” were common responses from the interviewed writers. Francesca Kelly, Tales from a Small Planet editor (www.talesmag.com), says, “You don’t have to have brilliant talent to be published, but you DO have to have incredible persistence.”

Lucy Clark, prolific medical romance writer for Harlequin Mills & Boon (http://www.eharlequin.com.au), is the personification of persistence. “I received the contract for my first book the same day I found out I was pregnant with my daughter. Life happens! It’s hectic. It’s busy, but if we don’t make time for the things that are important to us, we might have regrets later on. I now have two adorable children who commandeer most of my time. I don’t have time for writers’ block. I don’t have time to waste. My stories have to be planned, the research done, so when I sit down, I can build up word count. There’s no such thing as writer’s block – just lack of planning.”

Q.What rumor about the business of writing turned out to be false?

A. Arlene Uslander, editor of The Simple Touch of Fate (www.uslander.net) which has one of my stories in it, discovered three falsehoods on the road to publication. “Once you have a book published, it’s easier to have the next book published and that when you send out a manuscript, no news is good news. And that having an agent accept your work means you’re going to get published.” Not true. Not true. Not true.

Karen Rose Smith (www.karenrosesmith.com) is a fulltime author with about 40 books to her credit. She sold her first book in 1991. “I thought after I sold the first few books, life would become easier! That’s not necessarily true.  After ten books, I remember being stalled and not selling for about ten months.”

Francesca believed that editors were unapproachable. “They’re usually really nice people who are just overworked.” She should know. She’s an approachable and no doubt overworked editor.

Q. What advice do you wish you’d received (or heeded) sooner?

A. Karen Rose Smith learned to “Write to the market. Study the line you want to write for.”

Studying the magazine she wanted to write for had a lot to do with an editor accepting one of Francesca’s articles. Being published in Redbook was a “sudden breakthrough” for her.

“It’s not enough that you have something to say,” is freelance editor and author Karen Schmitt’s advice. “You have to make yourself understood – connect.”

“Rejection isn’t personal,” counsels Megan Hart, an author whose been paid to write for decades. “They’re not rejecting you, they’re rejecting the work.”

“ ‘To be a successful writer, you must write every day,’ ” recalls editor, Dan Case. “I heard this a lot, but really didn’t believe it. When I read Stephen King’s book, On Writing, and he said ‘write everyday,’ I believed it. (Hey, if the King of all writers says it, it must be true.)”

Q. What would you tell a beginner about writing for pay?

A. Writers’ answers ranged from “Don’t write for pay. Write because you love it,” to “Don’t write for FREE!”

Lynn Wasnak, a freelance writer for 25 years, explains that fulltime freelancers urge beginners not to write for free or too cheaply because it allows editors to lower the going rate. Go to https://www.writersmarket.com/assets/pdf/How_Much_Should_I_Charge.pdf.

As for me, I do the writing because I love it. I donate some works to organizations where I volunteer. Otherwise, I sell my work for dollars.

   ***

Article by Beth Fowler, author of the beloved coming-of-age novel “Ken’s War.”

Visit https://www.facebook.com/kenswar.

https://www.youtube.com/watch?v=SQjZBjqFNzs&feature=youtu.be

 ken's war coverWhen teen rebellion & culture shock collide. Shop here: Ken’s War

Ken’s War is vibrant with authority … Fowler’s elegantly written novel risks exploring the full range of teenage behavior and emotion.” Nancy Springer, award- winning author of YA books.

 

 

 

Tools for Breaking into the Freelance Market

Beth Fowler headshot

If I can do it, you can. Here’s how I’ve broken into the world of getting published & paid.

Freelance writers are not employed on a publication’s staff. Freelancers work on a job-by-job basis and get paid for each project.

Below are writers’ tools and advice from editors to help you open the doors to the freelance market.

 

Contents:

  • Analyzing Magazine and Newspaper “House Style”
  • Submission Guidelines
  • Query Letter    
  • Query Letter Checklist
  • Manuscript Checklist
  • Publishing Business Terms
  • Editors’ Advice for Writers

 Analyzing Magazine and Newspaper “House Style”

 Look at a publication’s table of contents, illustrations and advertisements to determine the targeted readers’:

 

  1. Gender and age range
  2. Marital status
  3. Occupations and income levels
  4. Education levels
  5. Social group
  6. Moral, political, religious outlooks
  7. Main likes and dislikes

Look at several articles in one magazine, or several articles in several issues of the same magazine, to determine:

 

  1. Technique used in most opening paragraphs.
  2. Average number of words per article.
  3. Average number of words per sentence.
  4. Average length of paragraphs.
  5. Vocabulary – informal, academic, slang, jargon, colloquial
  6. Simple or complex sentences.
  7. The extent adjectives and adverbs are used.
  8. The extent of descriptive passages.
  9. Proportion of narrative and quotes.
  10. Proportion of subjective passages (feelings/emotions) and objective passages (facts/data).
  11. Technique used in most concluding paragraphs.
  12. What is the mission of most articles? (educate, entertain, titillate, amuse, persuade, etc.)

****

Submission Guidelines

Always study the submission (or writers’) guidelines before sending a query or article to an editor. Here is an example of guidelines.

THE SATURDAY EVENING POST Guidelines for Submitting Work Writers & Cartoonists

Before submitting work to The Saturday Evening Post, please take the time to read our guidelines for writers

Before sending us a manuscript or query, we hope you will look over past issues of the Post to get an idea of the range and style of articles we publish. You will discover that our main emphasis is health and fitness. Although there are many specialty publications in this field, the Post‘s goal is to remain unique by presenting not only cutting-edge news but by combining this with information of practical use to our readers.

Major freelance contributions in recent years include: “Hats On For Health: A Skin-Cancer Warning from Down Under,” about the advanced skin-cancer-prevention program in Australia, and “Munchausen by Proxy: The Deadly Game,” about a little-understood but prevalent psychological disorder that can be devastating to children.

In addition to health-related articles, the Post buys humor and anecdotes suitable for “Post Scripts,” as well as cartoons, illustrations, and photos. Payment ranges from $15 for Post Scripts to $25-$400 for most feature articles.

Our nonfiction needs include how-to, useful articles on gardening, pet care and training, financial planning, and subjects of interest to a family-oriented readership. For nonfiction articles, indicate any special qualifications you have for writing about the subject, especially for technical or scientific material. Include one or two published clips with your query. We prefer typed manuscripts between 2,500 and 3,000 words in length. We generally buy all rights.

Although we seldom publish new fiction, our readers enjoy upbeat stories that stress traditional relationships and family values. A light, humorous touch is appreciated. We are also always in need of straight humor articles. Make us laugh and we’ll buy it.

We respond quickly to queries, normally within three weeks. If you do send the whole manuscript, either (1) include a sufficiently stamped and sized SASE for its return should we decide not to use it; or (2) indicate you do not want the material returned and include an SASE with appropriate postage for a reply. Please send typed, double-spaced copy. We normally respond to manuscript submissions within six weeks. You are free to submit the article simultaneously elsewhere.

Feature articles average about 2,000 words. We like positive, fresh angles to Post articles, and we ask that they be thoroughly researched.

Please submit all medical/fitness articles to Cory SerVaas M.D.; travel queries and articles to Holly Miller, Travel Editor; fiction to Fiction Editor; and Post Scripts to Steve Pettinga.

1100 Waterway Blvd. Indianapolis, IN 46202 (317) 634-1100

***

Query Letter

 

Note: This emailed query letter was successful. You may use it as model for your projects. Snail mailed queries should include your telephone number, email address and a pre-addressed, stamped return envelope.

Dear Jean Ann Duckworth:

I benefit from reading Simple Joy and was especially happy to see an article by my friend Rekha. I believe that an article about breathing would support Simple Joy’s purpose.

We all breathe, but do we breathe properly?

Once we’re aware of our breathing patterns, we can improve them instantly.ghuū Women who breathe properly report that they feel “calm, poised, energized, a general well-being, centered, alert, relaxed, open” and similar positive sensations.

Does that sound like a miracle? Because God is in every breath, the benefits of proper breathing are miraculous.

I’d like to share what I’ve learned about breathing with Simple Joy readers. This proposed 1500- to 2000-word feature article (one time rights) will:

 

  • Explain physical and emotional hindrances to proper breathing
  • Guide readers through a breath awareness questionnaire
  • Review the breath’s path through the body
  • Include several easy, effective breathing exercises
  • List hobbies and sports that improve one’s breathing as a side benefiProvide surprising facts and additional resources.

I can write the article for the general interest issues or slant it as a December (holidays) stress buster. Earning an instructor’s diploma to teach Qi Gong (or Chi Kung, it’s Chinese for “skill with breath”), speaking to women’s groups on “Better Breathing Means Better Living,” my research on the topic and my firsthand experience in improving my breathing give me the background I need to write credibly and convincingly.Magazines that have published my works dealing with improving the quality of one’s life include, but aren’t limited to Daily Meditations, Evolving Woman, The Phoenix, New Vegetarian and Natural Health (Australia), Woman at Work (Malaysia), and Her Business (New Zealand).

Sincerely,

Beth Fowler

 

 

Query Letter Checklist

__ Return address – your name, address, phone number, fax and email address.

__ Address to proper editor, spell name correctly.

__ One-page letter (two if absolutely necessary) of 3 – 4 paragraphs.

__ Letter is concise, polished, courteous, written in business format, yet “human”.

__ Check spelling and grammar. (Donut really on word processor’s spill chick.)

__ SASE large enough with postage for reply or a contract!

__ Queries – business-size SASE for agent’s or editor’s response.

Manuscript Checklist

__ Follow writers/submission guidelines.

­­__ 12p font, Times New Roman, double spaced on 8 ½ x 11, one side only.

__ Proofread for spelling and grammar. (Due note rely on computer spell Chuck.)

__ Capitalize first letter of first word, and rest of words unless small (to, of, in) in chapt titles.

__ Approx 1 inch margins all around.

__ No italics. Underline instead.

__ No handwritten corrections.

__ Mag/newspaper manuscripts: Top left corner – 1st p single-space name, address, tel, fax, mobile, email. Mr/Miss/Mrs if first name is unisex. Top right corner – word count, rights offered, dept or column if applies. Drop down ½ way. Center title, By and name. Every p thereafter: Top left corners – last name & keyword of title. Top right corners – p number. Follow the submission guidelines if they differ from this.

­­__ Book ms: Title p with title, address, wc. Every p thereafter: Top left corners – last name & keyword of title. Top right corners – p number. New p for new chapt, drop down 1/3 –1/4.

­­__ End at end.

__ No                                                                                                  “widows”.
***

Publishing Business Terms

ADVANCE: $ pub pays author for book under contract, i.e. ½ paid at signing, ½ at delivery of final ms. Author doesn’t receive more $ until proceeds ($ales) exceed amount of advance.

BACKLIST: books from previous seasons still in print.

COMMISSION: advance payment from publisher to author asked (commissioned) to write something

COPYRIGHT: designates ownership of work. Most pubs © in author’s name, so when work goes out of print rights revert to author who may resell ms to another publisher.

COVER LETTER: accompanies solicited ms sent to agent or publisher.

FLAT FEE: “work-for-hire.” Lump sum for work. No royalties.

FRONTLIST: books published in current season and in publisher’s current catalogue.

INSTITUTIONAL SALES: books sold to schools/libraries, roughly 25% of kids lit is bought by libraries.

MASS MARKET: “rack-sized”, paperbacks smaller than trade paperbacks, usually different cover than hardcover edition, and cheaper.

MASS MARKET PUBLISHERS: companies that produce large quantities of paperbacks inexpensively, titles follow trends that fit markets – tie-ins with movies, TV characters and toys. Sell high volume in short time.

NET PRICE: “wholesale price”, $ pub receives from each book sale after discounts given to bookstores/buyers. Some pubs base author’s royalty on net price.

PROPOSAL: document author sends to agent/pub describing proposed book, length, audience, table of contents, chapt outline, first 3 chapts, competing titles, ways to market book, author’s credentials.

QUERY LETTER: letter author writes seeking permission to send ms to agent/pub.

RETAIL PRICE: cover price on book. Most big pubs pay royalties based on cover price.

ROYALTIES: 3-15% of proceeds from the sale of each copy of book.

SASE: self-addressed stamped envelope

SELF PUBLISH: Author pays for publication. Companies offer different levels of service. Authors must do a lot of marketing themselves.

SUBSIDIARY RIGHTS: pub/agent sells book to foreign pubs, mags, movie studios. If pub sells rights, $ split with author (usually 50/50). If agent sells rights, author keeps proceeds minus agent’s commission.

SUBSIDY PUBLISHER: “vanity publisher”, pubs that charge authors $$$$$ to publish ms. Avoid.

TRADE PAPERBACK: bound with heavy paper, usually same size and cover art as hardback, cheaper.

TRIM SIZE: outer dimensions of book.

UNSOLICITED MANUSCRIPTS: ms sent to pubs who didn’t request them. Often rejected, languish in “slush pile”.

***

Editors’ Advice for Writers

 

 

Beginning writers know that they’ll get bylines without bucks from time to time, free copies of magazines in which their works appear, and a few dollars here and there. No pay and low pay are typical during the apprenticeship phase of writing.

 

Following the advice of paid writers representing nearly 200 years’ experience can advance your career and compensation to the next phase.

 

Q: What separates paid, published writers from wanna-bes?

 

A: Discipline, persistence, hard work and the ability to “get back up on the horse” were common responses from the interviewed writers. Francesca Kelly, Tales from a Small Planet editor (www.talesmag.com), says, “You don’t have to have brilliant talent to be published, but you DO have to have incredible persistence.”

 

Lucy Clark, prolific medical romance writer for Harlequin Mills & Boon (http://www.eharlequin.com.au), is the personification of persistence. “I received the contract for my first book the same day I found out I was pregnant with my daughter. Life happens! It’s hectic. It’s busy, but if we don’t make time for the things that are important to us, we might have regrets later on. I now have two adorable children who commandeer most of my time. I don’t have time for writers’ block. I don’t have time to waste. My stories have to be planned, the research done, so when I sit down, I can build up word count. There’s no such thing as writer’s block – just lack of planning.”

 

  1. What rumor about the business of writing turned out to be false?

 

  1. Arlene Uslander, editor of The Simple Touch of Fate (www.uslander.net) which has one of my stories in it, discovered three falsehoods on the road to publication. “Once you have a book published, it’s easier to have the next book published and that when you send out a manuscript, no news is good news. And that having an agent accept your work means you’re going to get published.” Not true. Not true. Not true.

 

Karen Rose Smith (www.karenrosesmith.com) is a fulltime author with about 40 books to her credit. She sold her first book in 1991. “I thought after I sold the first few books, life would become easier! That’s not necessarily true.  After ten books, I remember being stalled and not selling for about ten months.”

 

Francesca believed that editors were unapproachable. “They’re usually really nice people who are just overworked.” She should know. She’s an approachable and no doubt overworked editor.

 

  1. What advice do you wish you’d received (or heeded) sooner?

 

Karen Rose Smith learned to “Write to the market. Study the line you want to write for.”

 

Studying the magazine she wanted to write for had a lot to do with an editor accepting one of Francesca’s articles. Being published in Redbook was a “sudden breakthrough” for her.

 

“It’s not enough that you have something to say,” is freelance editor and author Karen Schmitt’s advice. “You have to make yourself understood – connect.”

 

“Rejection isn’t personal,” counsels Megan Hart, an author whose been paid to write for decades. “They’re not rejecting you, they’re rejecting the work.”

 

“ ‘To be a successful writer, you must write every day,’ ” recalls editor, Dan Case. “I heard this a lot, but really didn’t believe it. When I read Stephen King’s book, On Writing, and he said ‘write every day,’ I believed it. (Hey, if the King of all writers says it, it must be true.)”

 

  1. What would you tell a beginner about writing for pay?

 

  1. Writers’ answers ranged from “Don’t write for pay. Write because you love it,” to “Don’t write for FREE!”

 

Lynn Wasnak, a freelance writer for 25 years, explains that fulltime freelancers urge beginners not to write for free or too cheaply because it allows editors to lower the going rate. Go to https://www.writersmarket.com/assets/pdf/How_Much_Should_I_Charge.pdf.

 

As for me, I do the writing because I love it. I donate some works to organizations where I volunteer. Otherwise, I sell my work for dollars.

 

And so can you!

 

***

By Beth Fowler, author of the beloved coming-of-age novel “Ken’s War.”

Visit https://www.facebook.com/kenswar.

https://www.youtube.com/watch?v=SQjZBjqFNzs&feature=youtu.be

 ken's war coverWhen teen rebellion & culture shock collide. Shop here: Ken’s War

Ken’s War is vibrant with authority … Fowler’s elegantly written novel risks exploring the full range of teenage behavior and emotion.” Nancy Springer, award- winning author of YA books.

 

 

 

The Business of Writing and Promoting Your Book

Daisy White - photograph b copy by Daisy White, guest blogger www.daisywhiteauthor.co.uk

 

As an independent bookshop owner and an author, I speak to many writers, who email or turn up in person with copies of their work. I love discovering independent books for the shop (or adding them to the stack by my bed!), but one of the questions I always ask authors is how they will promote their work if I give them an hour for a signing, or buy in some of their titles.

It is at this point that some look bashful and tell me the book is “… only written for friends, and I feel awkward promoting my own work/not sure how social media helps/have limited time.” Others burst forth with a seemingly endless stream of ideas spanning every aspect of their book and themselves. This is not done in a boastful, self-seeking way but simply means they are a) enthusiastic b) can translate that enthusiasm into selling their book.

It isn’t just the marketing that should be approached in a business-like fashion – it is the writing! The most successful writers I know plan their writing year with priority spreadsheets. Short story/poetry competition deadline dates are logged; freelance work is entered into the master plan complete with specific deadlines and requirements; and finally novels-in-progress are given a deadline for submission.

computer-313840_150Time is also allowed for PR/marketing existing works, and any work to be launched that year. This includes signings, radio and TV appearances, interviews, social media, blogs and answering all the emails that drop into your inbox! Make sure to accept last minute queries only if you can meet the deadline and have time to research – one specialist publisher I know is regularly called upon to comment on his subject by the BBC and various National publications because as he puts it, “I make a point of being punctual, polite and research the request to the ‘enth degree!”

It can be very daunting to have a schedule to follow, in addition to the hundred-and-one other things you probably have going on in your life, but by approaching your writing with positivity and determination you can achieve far more than you ever hoped. Another of my favourite authors tells me that for every successful pitch/competition entry/submission you must expect at least twenty unsuccessful ones!

In 2014 I decided to follow the advice above, and treat my writing in the same way I treat my business (which has now won several awards). I made my plan and followed it to the letter, fitting around my job, and my family… and it worked! By the end of the year I had a publisher for my new novel (‘Taming Tigers’ is released in summer 2015 by Melange Books LLC), a regular guest slot on a radio show, and a book review column in a magazine.

Of course I am delighted that the hard work has paid off, so I am already searching for the magic markers and the 2015 calendar to plan my next year…

www.daisywhitesbooktique.co.uk

https://www.facebook.com/DaisyWhiteAuthor

Daisy White – Biog

“Daisy White is a writer, mum, vintage lover, and award-winning literary entrepreneur. As the founder and owner of Daisy White’s Booktique (a pop up independent bookshop with a twist!) she has won business awards, been to speak at Number 10, Downing Street, and continues to support both authors and readers in their creative journeys.

Her writing reflects her years spent travelling, and Daisy has had articles and letters published in various National and local magazines and papers.

Born in the UK, Daisy spent time as child living in Wichita, Kansas, and has fond memories of attending school there (the library was huge!). She now lives in Brighton, on the South coast of England with her husband and two children, but still returns regularly to visit the USA.

In her spare time Daisy competes in ‘mud races’ for charity. These include Hellrunner, Kamikaze, and Downland Devil and if there is a frozen lake to be swum that is just perfect! With her children, Daisy also enjoys browsing the lanes of Brighton for vintage hats and china and taking long family bike rides along the beach.

‘Taming Tigers’ is her YA debut for Fire and Ice (Melange Books).”

Find Daisy on Facebook; https://www.facebook.com/DaisyWhiteAuthor

Hook up on Twitter; https://twitter.com/DaisyWhite1922

Follow on Pinterest; http://uk.pinterest.com/daisywhite1922/

Or check out the website for News, Competitions and Gossip!

(From March 2015) www.daisywhiteauthor.co.uk

Writing Your Writing Goals Makes a Difference

Ruth, left, has met her goals and has written more. Visit https://www.facebook.com/#!/buckleupforbrittany to find out more.

Ruth, left, has met her goals and has written more. Visit https://www.facebook.com/#!/buckleupforbrittany to find out more.

(This blog is based on a writers’ workshop conducted by Beth Fowler)

Do you normally set goals or let things just happen (or just not happen)?

What kinds of things (if any) have you set goals for in the past?

What are some of your beliefs about setting goals?

Which beliefs need to be re-tooled? For example, I was taught, “If you start something you should finish it.” I no longer believe that.

A goal is worthless if ________________(fill in the blank until you run out of ideas).

According to one study, people who write their goals are 42 percent more likely to achieve their goals.

Ruth, shown in the photo, set goals and has taken steps to reach them. See for yourself at https://www.facebook.com/#!/buckleupforbrittany

Cite some examples of how God (or the universe or whatever entity you think runs the big show) has supported your writing goals so far.

Now, write your writing goal and steps you’ll take to reach it.

Be specific when setting your writing goal. Include dates, amounts, numbers, names. Someone else would be able to measure if you achieved your goal because of the objective, concrete way you state it here.

 Example: Send out a query a week for 8 weeks to print magazines that pay freelance writers.

 Example: Submit my story about adopting a baby from China to YorkFest Literary Competition, Spring 2015

_________________________________________________________________________________________________________________________________________________________________________________________________

What steps will you take to reach your goal?

Example: 1. Write rough draft query “template.” 2. Read submission guidelines for magazines. 3. Read articles in targeted magazines. 4. Tailor query to magazine’s guidelines and audience.5. Send queries. 6. Log queries sent and responses received.

 

1.

2.

3.

4.

5.

6.

7.

 

Article by Beth Fowler, author of the beloved, coming-of-age novel “Ken’s War.”

Visit https://www.facebook.com/kenswar.

https://www.youtube.com/watch?v=SQjZBjqFNzs&feature=youtu.be

 ken's war coverWhen teen rebellion & culture shock collide. Shop here: Ken’s War

Ken’s War is vibrant with authority … Fowler’s elegantly written novel risks exploring the full range of teenage behavior and emotion.” Nancy Springer, award- winning author of YA books.

 

 

 

$harpen Your $ales Tools: Part 2

Beth Fowler headshotDo you want to earn more writing dollars? Do want to rise from hobby to business status IRS-wise? If you answered “Yes!” then it’s time to sharpen your sales tools.

Here’s Part 2

Tool 6: Persist.

Sometimes editors reject articles for reasons having nothing to do with quality or suitability. Let’s say you’ve submitted an article about the therapeutic value of animal companions to a magazine for nursing home administrators. The editor shoots back a form letter: “While we’ve given your article consideration, it doesn’t meet our editorial needs at this time.” At this time!

Perhaps animals starred in a centerfold spread less than two years ago, or headquarters overhauled the magazine to cover administrative topics exclusively, or budget shrinkage precludes compensating freelancers, or the editor’s dog crunched its final biscuit, making a story about comfort creatures discomfiting. Persistent writers try another time.

Tool 7: Become multitalented.

Anne Lamott’s first novel was published in 1980. More novels and memoirs followed. She wrote columns for magazines and then, “Someone offered me a gig teaching a writing workshop, and I’ve been teaching writing classes ever since.” And writing.

Tool 8: Create a business plan.

Dynamic plans lead to dynamic results. Writers’ plans include income goals, milestone goals, and quantity goals. Overall goals are supported with specific actions to maintain loyal customers and cultivate new customers.

Tool 9: Produce systematically.

Novelist Wilbur Smith says, “If you just let it happen, then it’s not going to happen.” To make it happen, Smith gives himself a date on which to start producing a new bestseller.

A production schedule is a “to do” list with due dates. Coordinate the production schedule to avoid bottlenecks, missed deadlines and downtime. Track queries and manuscripts sent, accepted and rejected; dollars spent, owed, and earned.

Tool 10: State your USP.

Marketing wizards bandy around the term USP. Writers, too, can announce their Unique Selling Points by proposing articles with unconventional angles, having access to meaty quotes and new research data, highlighting unique qualifications and experience promising an insider’s view, taking a contrarian’s stance and busting popularly held myths.

Tool 11: Negotiate.

Don’t freeze out non-paying publications. Ask for a free advert to be published in the issue with your article. The addendum “Email the author to find out about writers’ workshops” is fair consideration in lieu of dollars, as is “This short story is excerpted from the novel of the same title.”

When a prospect asks, “How much do you charge for an article?” reply, “I recently received X dollars for an article of the same length” or cite fees from Writer’s Market or tell the editor you’ll get back to her. Find out what that and similar publications pay freelancers. Ask for additional pay for photos. Retain as many rights as possible. Have copyright revert to you after publication so you may sell reprint rights.

Editors and readers are customers. You’re a salesperson. Sharpen your sales tools and watch your writing dollars grow.

 

 

Article by Beth Fowler, author of the beloved coming-of-age novel “Ken’s War.”

Visit https://www.facebook.com/kenswar.

https://www.youtube.com/watch?v=SQjZBjqFNzs&feature=youtu.be

 ken's war coverWhen teen rebellion & culture shock collide. Shop here: Ken’s War

Ken’s War is vibrant with authority … Fowler’s elegantly written novel risks exploring the full range of teenage behavior and emotion.” Nancy Springer, award- winning author of YA books.

 

 

 

Tips for Writers Working at Home, But Not Alone: Part 2

Interruptions!

Interruptions!

 

 

 

Blog readers sent heartfelt comments about Tips for Writers Working at Home, But Not Alone: Part 1….it seems carving out writing time is a challenge, especially during the summer and for  writers who have kids, spouses, houses and a life.

  1. Write to write. Beginning writers spend more money than they earn from writing. This economic fact can be a source of guilt. Comments like, “You spent how much for ‘Writer’s Marketplace’?” weigh heavily. Invite your family to discuss their feelings. Does your writing really strain the budget, or is something else bugging your family? Meanwhile, keep writing.
  2. Write about it. Writers experience heavy demands on their time and emotions from family members. In an ideal world you might be spared this, but if you were, would you have as much to write about? Every experience is an idea for writing.
  3. Be honest. Some writers use outside circumstances as excuses to not write. This is dishonest. Putting the burden on others with comments like, “You trim the hedge so I can write,” is unfair. Hedges need trimmed, regardless. Say, “It’s your turn to trim the hedge,” and then go write. (You did trim the hedge last time, didn’t you?)
  4. Streamline and economize. Writing takes time and money, so I’ve streamlined and economized. I moved to a smaller house near two libraries and sometimes serve stir-fried rice instead of complicated meals. I swap magazines with writers’ circle members and buy used books.
  5. Search for nuggets. Angela Raeburn, a beginning freelancer, has two sons, a part-time job and a home to run. “I search for nuggets of time for my writing in between the school run, play group duty, taking the dog to the vet and delivering hubby’s suits to the cleaners,” Angela said. She added that she doesn’t feel guilty when ironing piles up because “I get paid for writing, I don’t get paid for housework.”
  6. Manage time. Susan Wilson, another freelancer, shared her time management technique. “Time mismanagement can be turned into positive control by actively noting daily what you do, when you do it and how long it takes over a period, say two weeks. Draw up a chart showing the chunks of time and concentrate the activity into that time.” Susan is partially paralyzed, but her determination takes her from England to Asia gathering ideas and material for writing.
  7. Divide and write. Horror writer Mark Morris shares domestic chores with his wife Nel, an artist who also works from home. “I work in the mornings and look after our one-year-old son in the afternoons, and Nel does it the other way around.” While one parent bathes and beds their son, the other cooks supper. Evenings and weekends are free for relaxing and socializing.

Making adjustments and finding solutions to meet each other’s needs—that’s what living and working together is all about.

“They lived happily ever after” is not a trite story ending. It’s the beginning of your story.

 

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