A Matter of Choice

In this award-winning story, teenager Monica sets out to push her parents’ button, but was it the one she was aiming for or something unexpected?

A Matter of Choice

teen girl angry“Your parents didn’t tell me why they want you to stay with me for a while,” Aunt Jo said.  “They said it had something to do with what they discovered on your Facebook page.

“Don’t ask me.” Monica replied. “Talking to my parents is like bumper cars at the fair.” It was OK to talk like this. Aunt Jo was cool.

Monica lifted her suitcase onto her aunt’s spare bed and glanced around the guestroom. Aunt Jo’s large, carved Kachina doll, known as Left-Hand in Hopi tradition, stood on the bureau. Monica knew her mom would geek out in here. Her parents’ bedroom was mauve, which Monica pronounced moo-vah to irk her mom. It did. Their room resembled a furniture showroom. Stiff. Formal.

“It’s not like I’m pregnant or anything. I’m not stupid.” Monica shook her head at the ridiculousness of it all.

“Ah, I figured it was a fella.” Aunt Jo said.

Monica laughed. The Kachina doll was called Left-Hand because he did everything in the opposite.

“I knew it would freak them out.” Monica confessed. “I mean, I always left the room when he called me when I was at home. And I’d tell ‘em I was meeting Ashley at the mall or the library.” Monica told herself she’d done her parents a favor by preventing them from knowing about Zeki. “Besides, staying here with you doesn’t mean I can’t see Zeki. They just don’t want to be bothered with me. They don’t know how to handle me.

“He must be some special fella.”

“He’s African-American.” Monica felt her head float like a balloon. “And Muslim.”

Aunt Jo’s eyebrows shot up. “And you think that’s why your parents are upset?”

“They’re old school, you know?”

“They’re of a different generation, but I don’t think…Tell me about your friend.”

“I dunno. He’s cute.” There were lots of cute guys. Some of them were her friends. She pulled her shirts and shorts out of her suitcase and tossed them into a drawer.

“You’re doing what every girl does. Stretching your wings. Finding out, exploring, growing. Better now than when you’re my age.” Aunt Jo hiccupped.

“Did you ever do something sneaky, Aunt Jo?”

“Yes! I dated two fellas at the same time. They tried to outdo each other. Your mother and your grandparents scolded me and lectured me. ‘People are talking!’ they said. ‘It’s time to settle down with one fella.’ I ended up losing both fellas. I was seventeen then.” Her eyes sparkled. “Your mom got married when she was seventeen, you know.”

“I know. Nineteen ninety-eight.”

“Ninety-nine.”

“You got your years mixed up,” Monica said. “Mom and Dad were married in ’98. I was born in ’99.”

“Somebody told you the wrong year. You were born in ’99, the same year they were married.” She smiled ruefully.

Monica’s thoughts knotted. Simple math. “Mom had to get married! I was a surprise. Wait till I tell her!”

Should she make a big scene? Blow her mom’s cover? And be a self-righteous geek like everybody else? Monica squinted at Left-Hand Kachina, whose expression sometimes looked angry and other times surprised. Let Mom and Dad have their little secret. And then the next time they got all flamed about something, she would give them a math lesson.

“Do you love Zeki?” Aunt Jo asked.

“We’re just friends. We hang out together. I’m not gonna fall in love until after I graduate from college, and I’m not gonna get married until I have a career, and I’m not gonna have kids ever! Too much hassle.”

“Why were you sneaky about your new boyfriend?”

“I asked Mom, what if I dated someone of a different background.”

“And?”

“She got twitchy. She was peeling potatoes. Cut her finger. I ran to get a Band-Aid… They’re always around, my parents, but never there. You know?” Monica’s face twisted. She unfolded the skimpy top she had worn when she went with Zeki to the party. “Mom didn’t say I couldn’t date someone different…a Muslim.” Monica knew she was using what her English teacher called “specious reasoning.” What would Left-Hand Kachina do?

Monica rolled her eyes at Aunt Jo. “OK, yeah. I knew Mom and Dad would geek out big time. Zeki didn’t pick what color or religion he is!” Monica slammed her empty suitcase shut.

“I guess I did,” Monica said.

“And you chose to lie. Numerous times.”

Left-Hand Kachina waited patiently, his inscrutable expression seemingly on the verge of shifting to something altogether new.

This story by Beth Fowler won 3rd Place Creative Nonfiction in the York PA literary contest. Fowler is the author of “Ken’s War.”

Visit https://www.facebook.com/kenswar.

https://www.youtube.com/watch?v=SQjZBjqFNzs&feature=youtu.be

 ken's war coverWhen teen rebellion & culture shock collide. Shop here: Ken’s War

Ken’s War is vibrant with authority … Fowler’s elegantly written novel risks exploring the full range of teenage behavior and emotion.” Nancy Springer, award- winning author of YA books.

 

 

The Conversation – Book Review

I approach self-published books with lowered expectations. Calibrating my expectations was not necessary for “The Conversation” by Mike Gannaway, published by WestBow Press, a division of Thomas Nelson & Zondervan.

 

“The Conversation” shimmers with some of the same vibe as the classic “Zen and the Art of Motorcycle Maintenance,” but reaches its destination within an efficient 110 pages.

 

Diane, thirty-eight and unmarried, is on her way to Bethany Beach, Delaware. In setting up the story, Gannaway displays uncanny talent for creating interest and intrigue with sensory details and forward momentum.

 

Diane is a confident, well-read, thoughtful woman who has developed her own credo for life: Choose Freedom. Having abandoned “clubbing scene” days when she dressed her chiseled body to tantalize men, she now knows that “the key to freedom was not burning off drudgery; it was not succumbing to it in the first place.” That’s some hard-earned wisdom, wouldn’t you say?

 

Less than a quarter of the way into the book, Diane sees a man sitting on the beach. It’s nighttime. The switchblade in her pocket is insurance, of sorts. She joins the man and they begin chatting.

 

Chris is attentive, polite and asks the right questions. He lets her go on for a while, mostly about herself. Things are going swimmingly, and readers might think, “This is nice. ‘Nice’ can get boring.”

 

Diane says she reads “history, science, philosophy, religion, classic literature, poetry…anything that increases my understanding of the world and grows me in sophistication and wisdom.” She’s coming across as a smug and preachy woman.

 

With laser accuracy and timing, Chris challenges Diane.

 

Now there’s tension and an exploration of opposing worldviews about the BIG topic with which most humans grapple: Finding life’s meaning and purpose. From this point on in their conversation, the stakes are raised and Diane’s “Choose Freedom” credo begins to erode like a sandcastle under the waves of Chris’ questions and counterpoints. Chris is not harsh or cruel to Diane during this crucial conversation. He is empathetic and genuine.

 

Gannaway possesses the intuition and skills to know when to reveal information and when to withhold it until later to best serve the plot and the debate. His sense of pacing is superb. While his style is lean, it’s clear that he’s thought deeply about how to portray a woman’s spiritual journey convincingly. In this he succeeds. (I’m happy to say, Gannaway does not resort to using annoying Celestine Prophecy-esque contrivances.)

 

If you’re searching for meaning, or if like Diane, you’re sure you already know the meaning of our existence, then this book is a prime candidate for your “read now” list.  The Conversation is appropriate for truth seekers from young adult age upward.

***

Article by the author of Ken’s WarWhen teen rebellion & culture shock collide.

Visit https://www.facebook.com/kenswar.

https://www.youtube.com/watch?v=SQjZBjqFNzs&feature=youtu.be

 ken's war cover

Ken’s War is vibrant with authority … Fowler’s elegantly written novel risks exploring the full range of teenage behavior and emotion.” Nancy Springer, award- winning author of YA books.

 

 

 

Tell Me a Story – Free online class

From Demi Smith about free online picture book class for authors. (sign up http://yotbpress.com/kidspired/)

“Tell me a story…”

That beautiful child looks up into your eyes and snuggles close, ready for a journey only you can lead. Wouldn’t it be amazing if you could pull out your own picture book from the shelf… point to its glossy cover, read the title, and say, “This is the book I wrote for you.
For the last three years I’ve had the joy and privilege to work with hundreds of authors in my live Year of the Book classes. Now I’m thrilled to announce I’ve taken the best of the best of the best of what we’ve learned and turned it into a course you can access online, regardless where you live.

I’d love to help you get started right away with a free class that will help you write and publish your children’s picture book. We’ll go through all the steps you need to get from conception to labor and delivery of your bouncing baby book.

Can you imagine how thrilling it will be to share your professionally printed and bound story with your loved ones?

I’ve seen the joy—over and over through my students’ and clients’ eyes—and experienced it personally through the birth of my own two children’s picture books: Write Away! and Roger, Roger. It’s like disbelief combined with intense personal satisfaction. And it’s waiting for you just a short way up the path.

Or maybe your dream is bigger. Perhaps you’d like to see your work available for sale in stores and online. It’s all within your reach and I can show you how. I help people achieve this dream every day and I’d love for you to be next.

Online seating is limited to just 50 attendees, so reserve your space today. (sign up http://yotbpress.com/kidspired/)

Visit Demi at https://www.facebook.com/demistevensbooks?fref=ts

***

Article shared by the author of Ken’s WarWhen teen rebellion & culture shock collide.

Visit https://www.facebook.com/kenswar.

https://www.youtube.com/watch?v=SQjZBjqFNzs&feature=youtu.be

 ken's war cover

Ken’s War is vibrant with authority … Fowler’s elegantly written novel risks exploring the full range of teenage behavior and emotion.” Nancy Springer, award- winning author of YA books.

 

 

 

Advice Writers Can Bank On

Beth Fowler headshot Beginning writers know that they’ll get bylines without bucks from time to time, free copies of magazines in which their works appear, and a few dollars here and there. No pay and low pay are typical during the apprenticeship phase of writing.

Following the advice of paid writers representing nearly 200 years’ experience can advance your career and compensation to the next phase.

Q: What separates paid, published writers from wanna-bes?

A: Discipline, persistence, hard work and the ability to “get back up on the horse” were common responses from the interviewed writers. Francesca Kelly, Tales from a Small Planet editor (www.talesmag.com), says, “You don’t have to have brilliant talent to be published, but you DO have to have incredible persistence.”

Lucy Clark, prolific medical romance writer for Harlequin Mills & Boon (http://www.eharlequin.com.au), is the personification of persistence. “I received the contract for my first book the same day I found out I was pregnant with my daughter. Life happens! It’s hectic. It’s busy, but if we don’t make time for the things that are important to us, we might have regrets later on. I now have two adorable children who commandeer most of my time. I don’t have time for writers’ block. I don’t have time to waste. My stories have to be planned, the research done, so when I sit down, I can build up word count. There’s no such thing as writer’s block – just lack of planning.”

Q.What rumor about the business of writing turned out to be false?

A. Arlene Uslander, editor of The Simple Touch of Fate (www.uslander.net) which has one of my stories in it, discovered three falsehoods on the road to publication. “Once you have a book published, it’s easier to have the next book published and that when you send out a manuscript, no news is good news. And that having an agent accept your work means you’re going to get published.” Not true. Not true. Not true.

Karen Rose Smith (www.karenrosesmith.com) is a fulltime author with about 40 books to her credit. She sold her first book in 1991. “I thought after I sold the first few books, life would become easier! That’s not necessarily true.  After ten books, I remember being stalled and not selling for about ten months.”

Francesca believed that editors were unapproachable. “They’re usually really nice people who are just overworked.” She should know. She’s an approachable and no doubt overworked editor.

Q. What advice do you wish you’d received (or heeded) sooner?

A. Karen Rose Smith learned to “Write to the market. Study the line you want to write for.”

Studying the magazine she wanted to write for had a lot to do with an editor accepting one of Francesca’s articles. Being published in Redbook was a “sudden breakthrough” for her.

“It’s not enough that you have something to say,” is freelance editor and author Karen Schmitt’s advice. “You have to make yourself understood – connect.”

“Rejection isn’t personal,” counsels Megan Hart, an author whose been paid to write for decades. “They’re not rejecting you, they’re rejecting the work.”

“ ‘To be a successful writer, you must write every day,’ ” recalls editor, Dan Case. “I heard this a lot, but really didn’t believe it. When I read Stephen King’s book, On Writing, and he said ‘write everyday,’ I believed it. (Hey, if the King of all writers says it, it must be true.)”

Q. What would you tell a beginner about writing for pay?

A. Writers’ answers ranged from “Don’t write for pay. Write because you love it,” to “Don’t write for FREE!”

Lynn Wasnak, a freelance writer for 25 years, explains that fulltime freelancers urge beginners not to write for free or too cheaply because it allows editors to lower the going rate. Go to https://www.writersmarket.com/assets/pdf/How_Much_Should_I_Charge.pdf.

As for me, I do the writing because I love it. I donate some works to organizations where I volunteer. Otherwise, I sell my work for dollars.

   ***

Article by Beth Fowler, author of the beloved coming-of-age novel “Ken’s War.”

Visit https://www.facebook.com/kenswar.

https://www.youtube.com/watch?v=SQjZBjqFNzs&feature=youtu.be

 ken's war coverWhen teen rebellion & culture shock collide. Shop here: Ken’s War

Ken’s War is vibrant with authority … Fowler’s elegantly written novel risks exploring the full range of teenage behavior and emotion.” Nancy Springer, award- winning author of YA books.

 

 

 

Use My Winning Query as a Model to Pitch Your Article

Beth Fowler headshotSo, you’re ready to pitch your article idea to an editor.

Read each publication’s submission guidelines VERY CAREFULLY, then write a well-researched query letter.

Below is my query that led to a sale. You may use it as a model for your winning query letters.

Dear Jean Ann Duckworth:

I benefit from reading Simple Joy and was especially happy to see an article by my on-line friend Rekha. I believe that an article about breathing would support Simple Joy’s purpose.

We all breathe, but do we breathe properly?

Once we’re aware of our breathing patterns, we can improve them instantly. Women who breathe properly report that they feel “calm, poised, energized, a general well-being, centered, alert, relaxed, open” and similar positive sensations.

Does that sound like a miracle? Because God is in every breath, the benefits of proper breathing are miraculous.

I’d like to share what I’ve learned about breathing with Simple Joy readers. This proposed 1500- to 2000-word feature article (one time rights) will:

 

  • Explain physical and emotional hindrances to proper breathing
  • Guide readers through a breath awareness questionnaire
  • Review the breath’s path through the body
  • Include several easy, effective breathing exercises
  • List hobbies and sports that improve one’s breathing as a side benefit
  • Provide surprising facts and additional resources

 

Earning an instructor’s diploma to teach Qi Gong (or Chi Kung, it’s Chinese for “skill with breath”), speaking to women’s groups on “Better Breathing Means Better Living,” my research on the topic and my firsthand experience in improving my breathing give me the background I need to write credibly and convincingly.

Magazines that have published my works dealing with improving the quality of one’s life include, but aren’t limited to Daily Meditations, Evolving Woman, The Phoenix, New Vegetarian and Natural Health (Australia), Woman at Work (Malaysia), and Her Business (New Zealand).

I can write the article for the general interest issues or slant it as a December (holidays) stress buster.

Sincerely,

Beth Fowler

Blog readers, you’re welcome to use my query as a template or springboard for your unique query. All the best!

***

Article by Beth Fowler, author of the beloved coming-of-age novel “Ken’s War.”

Visit https://www.facebook.com/kenswar.

https://www.youtube.com/watch?v=SQjZBjqFNzs&feature=youtu.be

 ken's war coverWhen teen rebellion & culture shock collide. Shop here: Ken’s War

Ken’s War is vibrant with authority … Fowler’s elegantly written novel risks exploring the full range of teenage behavior and emotion.” Nancy Springer, award- winning author of YA books.

 

 

 

Tools for Breaking into the Freelance Market

Beth Fowler headshot

If I can do it, you can. Here’s how I’ve broken into the world of getting published & paid.

Freelance writers are not employed on a publication’s staff. Freelancers work on a job-by-job basis and get paid for each project.

Below are writers’ tools and advice from editors to help you open the doors to the freelance market.

 

Contents:

  • Analyzing Magazine and Newspaper “House Style”
  • Submission Guidelines
  • Query Letter    
  • Query Letter Checklist
  • Manuscript Checklist
  • Publishing Business Terms
  • Editors’ Advice for Writers

 Analyzing Magazine and Newspaper “House Style”

 Look at a publication’s table of contents, illustrations and advertisements to determine the targeted readers’:

 

  1. Gender and age range
  2. Marital status
  3. Occupations and income levels
  4. Education levels
  5. Social group
  6. Moral, political, religious outlooks
  7. Main likes and dislikes

Look at several articles in one magazine, or several articles in several issues of the same magazine, to determine:

 

  1. Technique used in most opening paragraphs.
  2. Average number of words per article.
  3. Average number of words per sentence.
  4. Average length of paragraphs.
  5. Vocabulary – informal, academic, slang, jargon, colloquial
  6. Simple or complex sentences.
  7. The extent adjectives and adverbs are used.
  8. The extent of descriptive passages.
  9. Proportion of narrative and quotes.
  10. Proportion of subjective passages (feelings/emotions) and objective passages (facts/data).
  11. Technique used in most concluding paragraphs.
  12. What is the mission of most articles? (educate, entertain, titillate, amuse, persuade, etc.)

****

Submission Guidelines

Always study the submission (or writers’) guidelines before sending a query or article to an editor. Here is an example of guidelines.

THE SATURDAY EVENING POST Guidelines for Submitting Work Writers & Cartoonists

Before submitting work to The Saturday Evening Post, please take the time to read our guidelines for writers

Before sending us a manuscript or query, we hope you will look over past issues of the Post to get an idea of the range and style of articles we publish. You will discover that our main emphasis is health and fitness. Although there are many specialty publications in this field, the Post‘s goal is to remain unique by presenting not only cutting-edge news but by combining this with information of practical use to our readers.

Major freelance contributions in recent years include: “Hats On For Health: A Skin-Cancer Warning from Down Under,” about the advanced skin-cancer-prevention program in Australia, and “Munchausen by Proxy: The Deadly Game,” about a little-understood but prevalent psychological disorder that can be devastating to children.

In addition to health-related articles, the Post buys humor and anecdotes suitable for “Post Scripts,” as well as cartoons, illustrations, and photos. Payment ranges from $15 for Post Scripts to $25-$400 for most feature articles.

Our nonfiction needs include how-to, useful articles on gardening, pet care and training, financial planning, and subjects of interest to a family-oriented readership. For nonfiction articles, indicate any special qualifications you have for writing about the subject, especially for technical or scientific material. Include one or two published clips with your query. We prefer typed manuscripts between 2,500 and 3,000 words in length. We generally buy all rights.

Although we seldom publish new fiction, our readers enjoy upbeat stories that stress traditional relationships and family values. A light, humorous touch is appreciated. We are also always in need of straight humor articles. Make us laugh and we’ll buy it.

We respond quickly to queries, normally within three weeks. If you do send the whole manuscript, either (1) include a sufficiently stamped and sized SASE for its return should we decide not to use it; or (2) indicate you do not want the material returned and include an SASE with appropriate postage for a reply. Please send typed, double-spaced copy. We normally respond to manuscript submissions within six weeks. You are free to submit the article simultaneously elsewhere.

Feature articles average about 2,000 words. We like positive, fresh angles to Post articles, and we ask that they be thoroughly researched.

Please submit all medical/fitness articles to Cory SerVaas M.D.; travel queries and articles to Holly Miller, Travel Editor; fiction to Fiction Editor; and Post Scripts to Steve Pettinga.

1100 Waterway Blvd. Indianapolis, IN 46202 (317) 634-1100

***

Query Letter

 

Note: This emailed query letter was successful. You may use it as model for your projects. Snail mailed queries should include your telephone number, email address and a pre-addressed, stamped return envelope.

Dear Jean Ann Duckworth:

I benefit from reading Simple Joy and was especially happy to see an article by my friend Rekha. I believe that an article about breathing would support Simple Joy’s purpose.

We all breathe, but do we breathe properly?

Once we’re aware of our breathing patterns, we can improve them instantly.ghuū Women who breathe properly report that they feel “calm, poised, energized, a general well-being, centered, alert, relaxed, open” and similar positive sensations.

Does that sound like a miracle? Because God is in every breath, the benefits of proper breathing are miraculous.

I’d like to share what I’ve learned about breathing with Simple Joy readers. This proposed 1500- to 2000-word feature article (one time rights) will:

 

  • Explain physical and emotional hindrances to proper breathing
  • Guide readers through a breath awareness questionnaire
  • Review the breath’s path through the body
  • Include several easy, effective breathing exercises
  • List hobbies and sports that improve one’s breathing as a side benefiProvide surprising facts and additional resources.

I can write the article for the general interest issues or slant it as a December (holidays) stress buster. Earning an instructor’s diploma to teach Qi Gong (or Chi Kung, it’s Chinese for “skill with breath”), speaking to women’s groups on “Better Breathing Means Better Living,” my research on the topic and my firsthand experience in improving my breathing give me the background I need to write credibly and convincingly.Magazines that have published my works dealing with improving the quality of one’s life include, but aren’t limited to Daily Meditations, Evolving Woman, The Phoenix, New Vegetarian and Natural Health (Australia), Woman at Work (Malaysia), and Her Business (New Zealand).

Sincerely,

Beth Fowler

 

 

Query Letter Checklist

__ Return address – your name, address, phone number, fax and email address.

__ Address to proper editor, spell name correctly.

__ One-page letter (two if absolutely necessary) of 3 – 4 paragraphs.

__ Letter is concise, polished, courteous, written in business format, yet “human”.

__ Check spelling and grammar. (Donut really on word processor’s spill chick.)

__ SASE large enough with postage for reply or a contract!

__ Queries – business-size SASE for agent’s or editor’s response.

Manuscript Checklist

__ Follow writers/submission guidelines.

­­__ 12p font, Times New Roman, double spaced on 8 ½ x 11, one side only.

__ Proofread for spelling and grammar. (Due note rely on computer spell Chuck.)

__ Capitalize first letter of first word, and rest of words unless small (to, of, in) in chapt titles.

__ Approx 1 inch margins all around.

__ No italics. Underline instead.

__ No handwritten corrections.

__ Mag/newspaper manuscripts: Top left corner – 1st p single-space name, address, tel, fax, mobile, email. Mr/Miss/Mrs if first name is unisex. Top right corner – word count, rights offered, dept or column if applies. Drop down ½ way. Center title, By and name. Every p thereafter: Top left corners – last name & keyword of title. Top right corners – p number. Follow the submission guidelines if they differ from this.

­­__ Book ms: Title p with title, address, wc. Every p thereafter: Top left corners – last name & keyword of title. Top right corners – p number. New p for new chapt, drop down 1/3 –1/4.

­­__ End at end.

__ No                                                                                                  “widows”.
***

Publishing Business Terms

ADVANCE: $ pub pays author for book under contract, i.e. ½ paid at signing, ½ at delivery of final ms. Author doesn’t receive more $ until proceeds ($ales) exceed amount of advance.

BACKLIST: books from previous seasons still in print.

COMMISSION: advance payment from publisher to author asked (commissioned) to write something

COPYRIGHT: designates ownership of work. Most pubs © in author’s name, so when work goes out of print rights revert to author who may resell ms to another publisher.

COVER LETTER: accompanies solicited ms sent to agent or publisher.

FLAT FEE: “work-for-hire.” Lump sum for work. No royalties.

FRONTLIST: books published in current season and in publisher’s current catalogue.

INSTITUTIONAL SALES: books sold to schools/libraries, roughly 25% of kids lit is bought by libraries.

MASS MARKET: “rack-sized”, paperbacks smaller than trade paperbacks, usually different cover than hardcover edition, and cheaper.

MASS MARKET PUBLISHERS: companies that produce large quantities of paperbacks inexpensively, titles follow trends that fit markets – tie-ins with movies, TV characters and toys. Sell high volume in short time.

NET PRICE: “wholesale price”, $ pub receives from each book sale after discounts given to bookstores/buyers. Some pubs base author’s royalty on net price.

PROPOSAL: document author sends to agent/pub describing proposed book, length, audience, table of contents, chapt outline, first 3 chapts, competing titles, ways to market book, author’s credentials.

QUERY LETTER: letter author writes seeking permission to send ms to agent/pub.

RETAIL PRICE: cover price on book. Most big pubs pay royalties based on cover price.

ROYALTIES: 3-15% of proceeds from the sale of each copy of book.

SASE: self-addressed stamped envelope

SELF PUBLISH: Author pays for publication. Companies offer different levels of service. Authors must do a lot of marketing themselves.

SUBSIDIARY RIGHTS: pub/agent sells book to foreign pubs, mags, movie studios. If pub sells rights, $ split with author (usually 50/50). If agent sells rights, author keeps proceeds minus agent’s commission.

SUBSIDY PUBLISHER: “vanity publisher”, pubs that charge authors $$$$$ to publish ms. Avoid.

TRADE PAPERBACK: bound with heavy paper, usually same size and cover art as hardback, cheaper.

TRIM SIZE: outer dimensions of book.

UNSOLICITED MANUSCRIPTS: ms sent to pubs who didn’t request them. Often rejected, languish in “slush pile”.

***

Editors’ Advice for Writers

 

 

Beginning writers know that they’ll get bylines without bucks from time to time, free copies of magazines in which their works appear, and a few dollars here and there. No pay and low pay are typical during the apprenticeship phase of writing.

 

Following the advice of paid writers representing nearly 200 years’ experience can advance your career and compensation to the next phase.

 

Q: What separates paid, published writers from wanna-bes?

 

A: Discipline, persistence, hard work and the ability to “get back up on the horse” were common responses from the interviewed writers. Francesca Kelly, Tales from a Small Planet editor (www.talesmag.com), says, “You don’t have to have brilliant talent to be published, but you DO have to have incredible persistence.”

 

Lucy Clark, prolific medical romance writer for Harlequin Mills & Boon (http://www.eharlequin.com.au), is the personification of persistence. “I received the contract for my first book the same day I found out I was pregnant with my daughter. Life happens! It’s hectic. It’s busy, but if we don’t make time for the things that are important to us, we might have regrets later on. I now have two adorable children who commandeer most of my time. I don’t have time for writers’ block. I don’t have time to waste. My stories have to be planned, the research done, so when I sit down, I can build up word count. There’s no such thing as writer’s block – just lack of planning.”

 

  1. What rumor about the business of writing turned out to be false?

 

  1. Arlene Uslander, editor of The Simple Touch of Fate (www.uslander.net) which has one of my stories in it, discovered three falsehoods on the road to publication. “Once you have a book published, it’s easier to have the next book published and that when you send out a manuscript, no news is good news. And that having an agent accept your work means you’re going to get published.” Not true. Not true. Not true.

 

Karen Rose Smith (www.karenrosesmith.com) is a fulltime author with about 40 books to her credit. She sold her first book in 1991. “I thought after I sold the first few books, life would become easier! That’s not necessarily true.  After ten books, I remember being stalled and not selling for about ten months.”

 

Francesca believed that editors were unapproachable. “They’re usually really nice people who are just overworked.” She should know. She’s an approachable and no doubt overworked editor.

 

  1. What advice do you wish you’d received (or heeded) sooner?

 

Karen Rose Smith learned to “Write to the market. Study the line you want to write for.”

 

Studying the magazine she wanted to write for had a lot to do with an editor accepting one of Francesca’s articles. Being published in Redbook was a “sudden breakthrough” for her.

 

“It’s not enough that you have something to say,” is freelance editor and author Karen Schmitt’s advice. “You have to make yourself understood – connect.”

 

“Rejection isn’t personal,” counsels Megan Hart, an author whose been paid to write for decades. “They’re not rejecting you, they’re rejecting the work.”

 

“ ‘To be a successful writer, you must write every day,’ ” recalls editor, Dan Case. “I heard this a lot, but really didn’t believe it. When I read Stephen King’s book, On Writing, and he said ‘write every day,’ I believed it. (Hey, if the King of all writers says it, it must be true.)”

 

  1. What would you tell a beginner about writing for pay?

 

  1. Writers’ answers ranged from “Don’t write for pay. Write because you love it,” to “Don’t write for FREE!”

 

Lynn Wasnak, a freelance writer for 25 years, explains that fulltime freelancers urge beginners not to write for free or too cheaply because it allows editors to lower the going rate. Go to https://www.writersmarket.com/assets/pdf/How_Much_Should_I_Charge.pdf.

 

As for me, I do the writing because I love it. I donate some works to organizations where I volunteer. Otherwise, I sell my work for dollars.

 

And so can you!

 

***

By Beth Fowler, author of the beloved coming-of-age novel “Ken’s War.”

Visit https://www.facebook.com/kenswar.

https://www.youtube.com/watch?v=SQjZBjqFNzs&feature=youtu.be

 ken's war coverWhen teen rebellion & culture shock collide. Shop here: Ken’s War

Ken’s War is vibrant with authority … Fowler’s elegantly written novel risks exploring the full range of teenage behavior and emotion.” Nancy Springer, award- winning author of YA books.

 

 

 

THAT INSTANT CONNECTION

     CREATE THAT INSTANT CONNECTION BETWEEN READERS AND CHARACTERS

     By Guest Blogger Tara Fox Hall

 

Making a reader care about a character is the most important job of a writer. If a reader cares about a character and sees him or her as a believable personality, then the reader begins to identify with that character, and lose himself or herself in the story. As writers, that instant connection is essential to establish early on, so you hook readers and get them to stay for the whole story. They need to want to know what is going to happen. You need to set the hook deep on your first try, and not lose them in the second chapter, or worse, the second paragraph.

How do you do that? Presumably, you are telling a story either because you just plain love that story, or because the plot and/or the characters in it are important to you personally in some way. Your characters need to be as vibrant to your readers as they are to you, and someone your readers can identify with. That doesn’t imply that readers have to be just like your characters, or have the same background. But there does have to be something either in the makeup of the character or the plot of the book to make the reader care about the character.

Yes, I acknowledge that if you write series, it’s a bit easier to hold a reader’s attention once it’s gained. In my short story “Partners” from the Promise Me Anthology, I wanted to tell the story of how Danial and Theo, the two main characters from my novel Promise Me, met and eventually became friends. Anyone who has read that book would naturally be interested in this story, but what about new readers who hadn’t yet sampled my vampire series? How to make them connect with my characters, so that they not only enjoyed the story, but also wanted more?

My tale begins with the vampire detective Danial on one of his jobs, trying to find a thief at a construction site. Instead he discovers the werecougar Theo, scavenging off garbage. Right after, the real thieves show up in force. While Theo does help Danial capture the real culprits, he then melts away in the night, leaving Danial to face the police.

Hopefully, this first scene intrigues the reader. Why is Theo scavenging for scraps when he’s a powerful supernatural being? Why does Theo help Danial, when he could easily run instead? And why does Danial let him help, when he obviously chooses to work alone? Last but not least, why is Danial the vampire solving crimes and not out seducing young women in nightclubs, like so many of his paperback fellows are wont to?

Promise Me connects readers with its characters.

Promise Me connects readers with its characters.

Another story in my Promise Me Anthology is a vampire romantic suspense called “Night Music”, newly published its own novella. The young heroine Krys has come to a park she knew in her youth, fresh from the double whammy of her brother’s death from cancer and her new divorce. She hears music that night that brings her to tears with its aching melody, yet her handsome neighbor David denies he created it.

Again, hopefully the reader wonders who David is, and why he is making the music, even if they suspect he’s a vampire. How will Krys discover his vampiric nature? Will he bite her or will they have sex, or both? After that happens (‘cause one of the two ALWAYS HAPPENS in vampire romance, if not both), what will be the consequence?

Make readers want to know what happens next, and your reader base will grow, guaranteed!

Book Title: Tempest of Vengeance (Promise Me Series #11) – paranormal dramatic romance

Date released: April 2015

Melange Link: http://www.melange-books.com/authors/tarafoxhall/tempest.html

Blurb: A chain of tragic events culminating in the shattering of the magical “dream bond” between Theo and Sar turns the lovers against one another, as Ulysses attacks from all fronts, hoping to destroy Devlin for good. The return of Lash reignites the fire between he and Sar, even as he saves her daughter Elle from certain death. Finally joined under Oath, Lash, Devlin, and Sar face the storm of Ulysses’s wrath, knowing it will take their combined strength and courage to save all they love from his tempest of vengeance.

Tara Fox Hall’s writing credits include nonfiction, erotica, horror, suspense, action-adventure, children’s stories, and contemporary and historical paranormal romance. She is the author of the paranormal fantasy Lash series and the paranormal romantic drama Promise Me series. Tara divides her free time unequally between writing novels and short stories, chainsawing firewood, caring for stray animals, sewing cat and dog beds for donation to animal shelters, and target practice. All of her published children’s stories to date are free reads on www.childrens-stories.net.

 

***

Beth Fowler is the author of the beloved coming-of-age novel “Ken’s War.”

Visit https://www.facebook.com/kenswar.

https://www.youtube.com/watch?v=SQjZBjqFNzs&feature=youtu.be

 ken's war coverWhen teen rebellion & culture shock collide. Shop here: Ken’s War

Ken’s War is vibrant with authority … Fowler’s elegantly written novel risks exploring the full range of teenage behavior and emotion.” Nancy Springer, award- winning author of YA books.